One has been the British fashion superstar meant for 30 years; the other is an Uk designer who is becoming fashion’s next global power participant.
A rare catwalk turn by Kate Moss marked the moment that Kim Jones , lauded with industry honours but a little-known title in the wider world, got his place at fashion’s top table with his very first womenswear collection, for Fendi haute couture. Moss had been joined by her child Lila, 18, the first time the particular pair have walked the catwalk together. The actor or actress Demi Moore opened the particular show in off-the-shoulder dark satin; Naomi Campbell shut it in a silver shawl with cathedral-length train. This kind of stellar casting, on a display filmed behind closed doors with no reside audience, was an unique flexing of strength.
Jones is a sneakerhead who also collects 1st editions of Virginia Woolf. He has five trophies in the British Fashion Awards, continues to be awarded an OBE, had been mentored by Alexander McQueen, and counts the Beckhams as well as Moss in his group of close friends. By aiming with Supreme during their tenure at Louis Vuitton along with Air Jordan at Dior, he pioneered a revolves to streetwear which changed and energised the menswear world. His talents have got long been recognised and compensated by his bosses from LVMH – as is attested by his personal artwork collection, which includes a Francis Sausage and a Rene Magritte.
Jones is here to design women’s clothing in a house with a strong history of matriarchal leadership plus female creativity. Silvia Fendi, the current menswear and add-ons designer, is the fourth era of Fendi women in the helm of the brand. Jones has enlisted Kate Moss as a consultant upon accessories at Fendi, in addition to a model, and the mother-and-daughter Moss casting was his method of honouring the Fendi custom.
Jones said before the display: “Fendi is all about family. We are surrounded by strong, effective women who I love plus respect, and want to bring their particular energy into what I perform. ” He describes their own role at Fendi since “guest starring”.
Virginia Woolf’s story Orlando was Jones’s jumping-off point. The gender-blurring traditional novel has become a go-to research point in modern style, a book that is to the earlier 21st-century catwalk what the movie Breakfast at Tiffany had been to the late-20th. It has been the particular touchstone for collections simply by Christopher Bailey at Burberry scarf, and Clare Waight Keller at Givenchy.
Jones grew up near Charleston, the Sussex home from the Bloomsbury group, and has appeared in a collection of first editions associated with Woolf’s Orlando, which includes those people owned by Vita Sackville-West and Vanessa Bell, 2 of the most important women within Woolf’s life.
“I admire the way they lived their particular lives, the freedom they will created for themselves and the artwork that they left behind for the entire world, ” Jones says associated with his connection to renegade Bloomsbury energy. This manifested alone in ways both straightforward – as with lines of Orlando, florida inscribed into tiny mother-of-pearl minaudière handbags – and much more oblique. The model Adwoa Aboah’s look was influenced by a sketch in the Fendi archives from Karl Lagerfeld’s tenure at the house, the nod to the time-travelling which is central to Orlando.
After strolling the catwalk, each design struck a pose within glass rooms which placed together in the shape of Fendi’s double F logo. The chic take on the Covid-secure “bubble” – or perhaps upon Woolf’s passion for an area of one’s own.